Originally I wanted to use a custom font GASLIGHT but it ended being scrapped in favor of Rocket Script which used in some local diners back around 1950's.
Louise Fill's design really has a creative motif behind it as how love can tie each as easy as tying your shoes. This one also shows us how love is in the air and it reaches beyond the borders of our limitations As for how each interlays with each other is simply a illusion with creative input and it really shows how it's pattern keeps going on and on. It simply lies with the uppercase "L" and it's placement to give off that endless pattern like how love keeps growing in many different areas and it's really a powerful feeling to remember.
This design of Robert Indiana is interesting. The way he positions each of the letters, save for one, are stacked which gives off an impression of how love builds overtime.The "O" gives off how we fall in love but also feels how we fall from relationships if not careful. For me personally it's difficult on how it translates into 3-D as I see it's trying stand out in some way. As for it's variations I personally don't like chrome as it screams a blank heart to me.
Jessica Hische Hische grew up in Pennsylvania and became a freelance designer in 2006 after studying Graphic Design at university. She already has a wealth of successes to her name, having worked with high-profile clients such as Penguin Books and film director Wes Anderson. Some of Hirsche’s typefaces include Buttermilk, Tilda and Brioche. She works between San Fransisco,CA and Brooklyn,NY. Hische has used many different typefaces throughout her career, but one particular typeface caught my attention due to my love for filming which is the Silencio Sans typeface. Silencio Sans was originally developed for CAA’s (Creative Artists Agency) to be used on their Friday Night Party invitation in 2014. The party’s theme was “old Hollywood” so the design inspiration came from movie title credits. The name Silencio references silent films, but this font would feel as at home in magazines, invitations, and fancy food packaging as it does on the silver screen.
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